Director and Editor – Nipun Dharmadhikari
Screenplay and Music – Late Annasaheb Kirloskar
Background Score – Aditya Oak
Cast – Anand Bhate, Rahul Deshpande, Ajay Purkar, Priyanka
Barve, Deepti Mate, Chinmay Pataskar, Anuja Vartak & Tejas Dandagaval
‘Sangeet
Saubhadra’ was first staged in the year 1882 by Annasaheb Kirloskar. Being one
of the earliest known musicals of Marathi theatre, the play is based on a
classic tale from the Mahabharat. The team of Rahul Deshpande and Nipun Dharmadhikari
has given it a fresh lease of life.
On his way to
pilgrimage, Arjun (Ajay Purkar) is informed about the marriage preparations of
his lady love Subhadra (Priyanka Barve), to his arch rival Duryodhan, by the
divine sage Narad (Rahul Deshpande). Arjun is devastated by the news and
decides to end his life. Narad advises him against it and gives him a solution.
Meanwhile, Subhadra is kidnapped by Ghatotkatch (Tejas Dandagaval) on the
orders of Krishna (Anand Bhate) only to be returned to Dwaraka after her brief
encounter with Arjun.
Subhadra was
neither able to recognize Arjun nor remember what happened to her. This results
in the marriage being postponed. However Balaram (Chinmay Pataskar) is keen on
only having Duryodhan as her groom. Rukumini (Deepti Mate) is furious with
Krishna for not doing anything for his sister. Krishna devises a strategy to
help Arjun who enters the Dwarka palace in disguise of a sage. Does it work??
For the answer watch the play.
Ajay Purkar
fits perfectly into the role of Arjun. He is mesmerising as an actor as well as
a singer. Priyanka Barve has improved considerably in her acting skills as
compared to Sanshaykallol. Anand Bhate steals the show with the renditions of
‘Nabha Meghani Akramile’ and ‘Priye Paha’. Rahul Deshpande manages to entertain
you with ‘Radhadhar Madhu Milind’ despite his small on-screen presence. Deepti
Mate, Anuja Vartak and Tejas Dandagaval provide valuable support.
Nipun
Dharmadhikari has directed the play brilliantly. Seldom does a director live up
to your expectations in every venture that he undertakes. Set is kept simple.
However Keyur Godse needs to add a little to it. Amey Pendharkar’s use of
lights is excellent whereas Kalyani Kulkarni gets full marks for costumes. Song
after song leaves the audience asking for more. As such Rahul Gole and Nikhil
Phatak deserve a special mention.
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